Looking Both Ways: The Fall Season Carryovers

Mega Megane Moe @ Ikimashou is messed up something fierce on my end, so until that gets fixed, I'll post here.

Looking back...

And now for the Slowpoke news: we're in the winter season.

I'm still stuck in the past, not because of any traumatic accidents which have permanently scarred me and/or my memory, but because the fall season is arguably a much more robust season than the winter ones, at least in terms of new shows.

Especially for a visual novel slash romance slash restricted rock-paper-scissors fan like me, there were a lot of shows that were very appealing; many of them, despite being in tried and tired genres, brought a lot of fresh concepts to the table.

And what's interesting about this, is that unlike in the summer season, a lot of the most promising shows didn't close out at twelve episodes. Those that did, were strong shows, no doubt, but many more than that have been promised at least 20-odd episodes, double the goodness if they can keep the pace up.

As such, the winter watchlist is turning out to be strangely familiar. There are plenty of carryover shows on the list, and those that are new shows to 2008 are mostly sequels in some way or form (Zoku SZS, Minami Okawari). Not to leave a bad impression of the winter season - but there aren't any names of new shows that really stand out from it.

This doesn't equate with 'no good shows', per se - some of my favorite fall shows have been ones that have been completely off the radar - but going off the blog reactions so far, there hasn't been a standout show that absolutely blows people away, that came out of nowhere and delivered the awesome. Undoubtedly there probably will be, but for now I'm content with surviving off both fresh old shows, and some true classics that are burning a hole in my DVD collection. Today, I'll take a look at what we have to expect from some of the shows coming into their second cour in 2008.

Shugo Chara!
Understandably, Shugo Chara! was a show that wasn't exactly on my radar when the season started. Even if I was born and raised on Cardcaptor Sakura, magical girl shows aren't always my cup of tea, and I usually rely on feedback from other blogs to pick out the subsets of this genre that would be my type. In that sense, I'm a sort of elitist for magical girls - I tend to prefer only the ones that have an appeal to both genders, those that carry 'feminine' traits such as romance and a lowered focus on action, yet don't come off as too girly. I do have a pink tolerance still, despite all these years of anime watching.

Anyway, Shugo Chara! got a surprising amount of good feedback from placed that I read a lot, namely Jeff Lawson's and Owen's locales, and so it was an essential "here goes nothing" while I was scraping the bottom of the barrel one day. As has been detailed, the first few episodes were a bit too pink for my tastes, but contained enough interesting stuff to keep my interest, so I forged on; and man, am I glad I did.

It seems a bit pretentious to both proclaim it the next Cardcaptor Sakura or even compare it to that show at all, considering how times have changed a lot in the 21st century, but there's no doubt that Shugo Chara! has the potential to be THE magical girl show of this decade. I can't speak for other popular shows, such as the PreCure series or whatnot, but certainly SC seems to have the wide appeal and fanbase to make it big.

The animators seem to know this too, as the show has been slated for one of the longer continuous runs in recent memory, topping 50 episodes, and this is something that, naturally, is good and bad. The good is of course more of what we love, more of this show and it's entertaining character dynamics. The bad is that, since there doesn't appear to be a huge amount of content for the manga, there's going to end up being a lot of filler in the show, ergo, not as much of the entertaining character dynamics. (Not to mention, it'd be a pain to blog.)

What, personally, deserves the most focus is the quickly-shaping romance tetrahedron of sorts, forming between Amu, Tadase, Ikuto, and Utau. Of course, saying this is a bit simplified; Amu's torn between the goodly Tadase and the dark Ikuto, Tadase's smitted with Amu's transformed self, Ikuto's busy being the guy equivalent of tsundere (Shiraishi's "cool-dere" comes to mind), and Utau is mysteriously possesive a la Primula (that suddenly explains a lot for Stripey's fandom of Utau), and all these facts add up to make the romance side of this story a bit more appealing than your standard 'will-she-won't-she' love story.

The magical girl elements of SC are a bit overdone, personally, as Amu seems to be able to hax any X Character into submission without barely breaking a sweat, but this might just be the show's way of deemphasizing these aspects in favor of it's stronger romantic and slice-of-life elements.

So what's to look for in the upcoming episodes of Shugo Chara? To be honest, I'm worried that the answer is 'not much' - different shows handle their mid-sections in different ways, but Shugo Chara! has a lot of time to burn, and so it might not be doing much in the way of developing character relations in the near future. Hopefully it will be like many recent shows and not delay the love confessions until the end.

Although, regarding that, what's really keeping me interested in this anime (aside from denying cute traps) is that I can't really decide who Amu's going to 'win' at the end...presuming she does at all. Both Tadase and Ikuto have their appeals, both to Amu and to the viewer, and it's not as clear-cut as other shows which one will end up being the 'main' guy. Tadase is undoubtedly the more traditional choice, being the good guy who fights along her, but Ikuto's been getting a lot of attention recently, and being the somewhat rebellious yet soft-hearted personality he is, I can't help but root for him.

Oh, and the mysterious evil motives of Easter, I suppose I have a little vested interest in; who knows if it will be some typical "parents vs. kids" endeavor or not. I can't get a lock on this either.

Shakugan no Shana II
Shana II was not exactly the most popular anime around the blogosphere recently, having eschewed it's action and love-triangle aspects for more of a repetitive drama that failed to be really engaging. But with the recent episodes having kicked the series full throttle ahead, it might be time to pick up interest in the show again.

For me, Shana II has always been a show that was sort of a bread-and-butter watch - something it would be a little painful, other times a little more intriguing, but most of the time it was relatively typical supernatural-action-romance fare, with the action part just getting into gear now. However, with some of the plot points that I think lie ahead, both involving a few Torches (accidental spoilers, whee) and the story of Pheles and the Reiji Maigo, Shana II might have an opportunity to prove itself more than that, and show that the hype for this show isn't just irrational love for melon-bread-eating tsunderes.

In that regard, it might have actually been a wise decision in the end for the beginning parts of Shana II to be so slow; it could be considered that the animation team was merely getting the filler out of the way so that the rest of the show can be exciting from here on out. Maybe not a good business decision, but if it holds true it will be promising for the second half of Shana.

As for what will happen in what episodes remain, I don't really know. I'm really unfamiliar with this series as a whole, and so what I can say is that there will be a lot of fighting, a few romantic scenes, and a lot of terminology spamming to come. It's pretty cut-and-dry that Shana and Yuuji are into each other, but I can't decide whether we'll get true confessions and conclusion with this season, considering the retcon we got this time. If there is enough material for Shana III, that aspect might just be held back on. Kazumi doesn't look like she has much to go on; we already know she likes Yuuji, and now she's in that limbo between backing off and going on the attack, neither which would really suit her. As such, I think all she's good for so far is some romantic insights, what with her virtues of patience and all.

And so my hopes for this show lie with Ike for reasons too numerous to count. He's your glasses-sporting "just as planned" smart guy, he's gotten shafted through the whole cultural festival arc, and he seems pretty level-headed and likable as a whole. Not to mention, he's shooting for the moon in going after Kazumi, who even he knows prefers Yuuji; he's effective working off a rationale of 'well Yuuji likes Shana, so someone's got to be there to catch Kazumi'.

I really hope he gets his fair share of screentime considering how much he's been made fun of recently, as I think he could be a really strong character. I'm hoping they have time to fit him in among all the more standard storyline fun with the green-haired ladies.

Gambling Apocalypse Kaiji
I think I will forever tout this as the reason why blog hype is important; I would not go within a million miles of a show featuring ugly men (and no moe girls) fighting it out in rock-paper-scissors, yet undoubtedly some of the latest arcs of this show have been nothing short of stunning.

It's funny; what makes this show work is that it's not pure macho, nor pure mindgames, but sort of a mix of both, and then some. There are moments that make you think, there are moments that make your blood boil, and sometimes, there are even moments that make you tear up. Sometimes, there are all three at once. I mean, for the love of whatever deity I worship now, I thought Aozora was going to start playing during Ishida's scene in episode fourteen. It was absolutely wrecking, in that way that made you contemplate the nature of man while crying manly tears and shouting "ISHIDAAAAAAAAAAAAAAAAAA".

Kaiji rivals the best of the visual novel genre in having disturbingly touching insights; while those deal more with the romantic irrationality of man, Kaiji goes more into the nitty-gritty stuff. The difference between the haves and have-nots, the wants and want-nots, how everyone is selfish in being kind and kind in being selfish. (A bit of a stretch, but I heart parallelism)

And it's a great mix of predictability and unpredictability as well. You know that Kaiji isn't going to win millions every time soon, but you know they can't quite kill him off either. You know that he's going to work his way out of this hole somehow, but fall back into another. It keeps the mind racing, and to be honest, I still don't know how the Brave Men Road is going to come out. We know he's not doing to die. So what is he going to do to get rid of the money? I'm guessing give it all to Ishida's wife, because there's got to be another yakuza-sponsored game on the horizon; the other aspect that keeps it interesting. It's that 'what will they think of next?', both in the fourth-wall and in the storyline sense.

It's that strange mix of disgust and delight when you see the shoving in Brave Men Road, that puts you disturbingly close to the action, in a similar position as the 'rich bastards'. It's eerie in a sense, how unwittingly we are becoming like them, being the viewers watching something like this for pleasure. It ties you into the show like what nearly no other show can do, and so that's why I can reccomend Kaiji as one of the top shows - especially if you hate moe - of the fall season.

KimiKiss Pure Rouge
For as many times as I've used this phrase, KimiKiss is one of the shows that I think could most fit the idea of being 'unpredictably predictable.' It's a very vanilla show in a sense, one that's refreshingly down-to-earth and real, and at first the romance seemed pretty much a straight shot. It could be easily seen how Kouichi will be with Yuumi, how Mao will end up with Mai, and how Kazuki will snag Eriko.

But, since this show is so multi-threaded, it's easy to see how these threads will intertwine as well. The show seems to be dropping plenty of hits of possibly tying Mao and Kouichi together. Plus, it's tough to tell whether Asuka or Eriko is the true girl for Kazuki.

Let's go with the latter first. Eriko is probably the more likely shot - on-screen kisses aren't taken lightly these days, and it seems all too sensible to have the romance with Kazuki be the thing to introduce Eriko to the world of emotion - I would say break her out of her shell, but Owen has another way of putting that.

Still, like in Shugo Chara's similar dilemma, I can't help but root for Asuka, the underdog here. It just seems wrong that the one who seems to be more passionate will lose, although I think that instead of Asuka winning here, she will just get some major development instead. She seems the strong, fiercely independent type, and she could definitely learn how to fly on her own with her love for soccer instead of Kazuki.

Mao and Kouichi's situation is even tougher to call. Certainly it seems like it would be impossible to break the romantic bonds between Kouichi and Yuumi, given the collective amount of time they've stared at each other. And certainly it seems hard to split Kai and Mao, who seem the reverse of the Eriko - Kazuki situation; Kai is an interesting character, the 'frequently misunderstood delinquent' type that's cold, but has a big heart.

But there still remains that possibility that Mao and Kouichi will in the end, be together; after all, she had to come back from France for a reason, and the anime has certainly dropped more than a few hints. I could see how Kai could live independently, like how Azuka could. And Yuumi could - could, the imperative word - be removed from the story with her moving away.

But that's the catching point, that it would just seem too sad for her to be alone; she doesn't look like she has a fallback, she seems much more emotionally invested in Kouichi. Enough to nearly clinch the 'with enough effort, you'll win' romance award, but not enough to go yandere. So somehow I think Kouichi and Yuumi is the most likely combo, which will probably set Mao up with Kai. I wonder, if maybe Mao will be the one who has to understand who her true feelings are for.

(Oh, and don't leave Hiiragi and Mamiko Noto out of the picture, either.)

There's a lot to think about for such a simple-looking show, which is why KimiKiss is one of the strongest romances running so far. I look forward to seeing how it can do so much with so little in the future.

Clannad
Visual novels are probably the toughest shows to predict for, which is why I enjoy them so much. Others may not be as fond of the wild, rampant plot twists and overly idealized characters that these shows frequently make use of, but this is probably an issue of cliche more than anything else.

The visual novel genre is full of them, with childhood friends left and right throwing themselves at some undoubtedly bland guy. That's probably part of the reason why I've always been a fan of the Key shows - AIR, Kanon, and now Clannad - because they do things differently.

Yeah, a lot of things are the same. Everyone's still love-love toward one guy, and most of them have a history with him, but it's not always about that. Clannad is a show that feels more balanced - it's not just romance, but it's comedy, it's not just about the girls, it's about Tomoya as well, and when it is about the girls, it's more about them discovering themselves rather than their affections for Tomoya. In that sense it really is a show that anybody can enjoy.

The beginning episodes and the Fuuko arc were a great representation of this; people left and right both enjoyed the comedy, and when it came down to things, spouted fountains of tears at her story. Despite its somewhat derivate roots of Ayu, Fuuko's arc managed to work well because it wasn't just straight Tomoya - Fuuko interaction, but since it also involved Nagisa both helping them and helping herself.

Nagisa's probably the reason why Clannad works, in that despite her soft, pushover personality she's a very strong character all her own, and a great complement to Tomoya. She's not one-tenth as adorable as Kotomi or Ryou, but that might be exactly the reason why: she's more of a real character, with real thoughts and emotions, instead of a cardboard moe cutout. Yet she doesn't renounce those roots either.

Recently I think the anime has slumped a bit with Kotomi's arc - I love her character, her story's interesting and all, but it's just so typical. I think any visual novel anime could pull the 'reclusive childhood friend with dead parents' concept off, since it just seems so perfect storm, the sort of dream that any lonely guy would wish to have, to be the only one there for a girl like that. Clannad needs to be different.

Luckily, I think we're getting into the best parts of the show, with what arcs we have left. Despite not knowing anything about the show, I have high hopes that Fuuko and Kotomi, as interesting as their arcs may be, will be utterly shamed by the powers of the three (four) girls remaining.

Tomoyo's always been a riot in character, and she looks to have the story to back it up, if it involves her trying to change the way she's seen, like it sounds so far. It's definitely potential for her to develop a lot on her own, into a strong person.

Kyou and Ryou are perhaps a more typical bunch but one I'm much more willing to fall for than Kotomi. Kyou is a great personality, with her light-hearted, flirtatious attiude absolutely captivating, combined with more of a sisterly love for Ryou, equaling something fierce. Ryou, well, she's a mix of Shiori and Tsukasa, and that I'm willing to overcome any sense of logic for. I just wonder what their story could be about, and that's what really interests me.

And of course, we'll close with Nagisa, where it really could go any way in the world. Whether they expand more on her story or Tomoya's story, them or their parents, the real world or the imaginary one, time can only tell. I can only hope it will be legendary like everyone is making it out to be - right now, it is a good show, but the potential astounds me.

-CCY

Looking forward...

2007 Season of Romance - And the Rest...

And you always thought that was spring...

Adaptation season may be closer to the truth, as pretty much every show I've followed so far is based on an eroge or ren'ai.

This probably says something about the creativity of harem shows nowadays, with probably one completely new romance (Code-E) and one completely new visual novel adaptation (sola) in recent memory, but the content is all fresh to me anyway.

Not to mention, the logistical challenges of adapting premade content still are fairly high, especially with the branching nature of harem-types.

The point still remains that there are a lot of the same shows out there this fall season, and while the moe-bishoujo-hater is probably off cursing somewhere, lovers of either harem, romance, or just general fanservice/moe are having a busy time.

As such it's time for another triple take, taking looks at three more first episodes, bringing the total to six fall anime so far...

ef - a tale of memories is perhaps the most and least traditional of the harem shows so far. The concept is almost blindingly average; there may not be many ways to introduce the male and female "leads" to each other other than a chance meeting, but when you get two pairs of utter strangers united in the first episode, one starts to wonder just how many times you've seen this before, and the mind instead turns to wondering just how are they going to make the established (i.e. osananajimi) characters lose this time.

On the flip side, being a Shaft show the art style of ef was spectacularly nonstandard, with plenty of innovative camera angles, cut-out shots (i.e. black background with the sky background filling in a girl's profile), and more. It was refreshing as always, and yet was sane enough that it didn't really kill the mood of the show at all.

The show features what appears to be a parallel story as well, with two male leads (which took a long time for me to figure out with their similar designs, I must admit) befriending two different girls, with the connection seeming to be through a six-degrees-type relation between some sisters. It certainly seems promising, as more and more shows are moving away from the one-strong (or weak)-male-lead syndrome that gets a bit ridiculous at times.

Overall, ef does a great job at proving that the first episode really doesn't tell much about the series, as it could really go either way at the moment.

The two lead female characters are adorable, especially the eyepatch-girl, but they tread the line between believable and just overly weak, whether it be being ridiculously friendly or emotional around their respective "partners." The male leads don't seem too bad, and I enjoyed their little speech about "wanting to be the knight in shining armor," but really, they're just so nondescript at this point I can't say much about them.

This seems to sum up my opinion of the whole show so far, in that it feels awfully...done before and forgettable. I remember watching this episode, liking it a lot - and forgetting about it. Maybe it's the fault of watching so many shows, maybe it's the passage of time - but ef hasn't made an imprint yet. This isn't to be confused though with a lack of promise; I hope that the second episode will bring back the good memories of...3 days ago, and prove that Shaft can do romance as well as they did despair.

On a final note, any show that features a combined Lucky Star / Touhou reference (and, yes, a Nice Boat) deserves at least a double eyebrow raise.

Next up on the list is KimiKiss Pure Rouge, which gives off the feel that it's more of a romance aimed at girls, or at least at both genders. I say this because of the impressive gender-neutral feel of the show. Again, there are two equally balanced male leads, and the female cast is varied without pandering to any particular stereotype.

It's a different type of show than the other ones airing so far which certainly seem more fantasy-based in either setting or characters; KimiKiss gives off the feel that you're entering a show that has been going for quite a while now. The characters are established, whether it be the three guys, the quiet girl that Kouichi likes, or even the returning childhood friend, Mao. Even the chance encounters between Mao and Rebel Guy, or Kazuki and Delinquent Genius, don't feel overly forced.

As such, KimiKiss is an anime that's a bit harder to grasp onto, especially with a slow opening like the first episode provided. Mao's return and the first half as a whole was admittedly on the bread and butter side but once the school day started the episode picked up in pace, introducing many of the characters above, and probably some more. The sheer complexity of the possible relationships certainly has a girls'-show feel to it (a la Marmalade Boy) compared to most harem show "triangles", where you take all the girls and draw lines to one guy in the center.

All this means though is that KimiKiss will be a noteworthy show if only because it will sort out those who like more 'real' romance than those who just enjoy the simplistic harem romances. I can't claim to swear allegiance to either side yet but KimiKiss will be a test as to how much concentrated relationship-spaghetti one can handle.

It certainly leaves a lot of interesting ends open at the first episode anyway, with the "secondary" male Kazuki getting his first kiss already, the issue of the relationship between Kouichi and that quiet girl he always blushes at, and the reason for Mao's return among others being interesting discussion topics. At which point though this ceases to be interesting and instead becomes confusing, though, is an excellent question.

Shakugan no Shana II is the odd one out here, being of the supernatural action-romance crossbreed variety. The Shana series is a strong one with a wide fanbase and something along the line of 17 light novels, a couple games, a manga, a movie, and two anime series, and I'm beginning to see why.

As mentioned extensively in my review of the movie, Shana isn't a series that's designed to randomly mindrape you, and instead is more of a show that surprises you with the path from point A to point B. It lays out most of the cornerstones for you - time loop enemy, increasingly-complex Shana/Yuuji/Kazumi/Ike love square-type, action happens, but how everything is going to get resolved is the interesting point.

Time loops or repetition in general are always a somewhat controversial topic for me in anime; on one side, it's kind of cool to see what you've seen before; on the other, you're seeing what you're seen before. Still, the logical fallacies and the inner desires/conflicts of characters which can be seen in the dream-like sequences in Shana can still generate some interest (case 1: Yuuji jumping off the ladder yet still floating to the top), although, as in the case of the Torch theory, I may be giving Shana more credit than it desires.

A lot of my enjoyment from Shana, and confusion as well, may stem from my relative newness to the series as well; what's old to some people is still new to me. This applies to both canned-ish footage from the first series, and, more crucially, to terminology and characters as well. As such, anyone outside of the core love triangle and (the soon-to-be-defunct, I imagine) Friange are completely new.

Hopefully figuring out just what role the obscurely named villians, Maid De Arimasu and Minami Nagato Green-Hair Girl play in the scheme of things won't be a huge trial by fire. It seems that they're trying to keep things relatively straightforward so far, at least in the romance section, with the apparent recap of Shana's non-confession, Kazumi's obsession, and Ike's challenger entry.

Shana seems like the series that could work relatively well, at least with me, as long as it doesn't devolve too hard into a monster-of-the-week show; there seems to be an overarching plot or conspiracy at least, but we'll find out. It certainly can occupy the status of 'light watching' for now, anyway, compared to all the budding drama/tear-fests that we know visual novel adaptations are. The best way to put it is; I like what I see so far, but I don't know how much of it I've seen.

And, with one more off-hand comment, the Shana OP rocks almost as hard as the M;Y OP. Literally.

So far the fall season has been quite pleasant so far on the adaptation side as a whole. A lot of series have shown a lot of possibility to become great shows; instead of being a huge, breakout show, there's a bunch of solid shows. Clannad and Myself;Yourself are top picks from the old school of harem shows with strong and way moe characters. KimiKiss looks good for the more traditional romance crowd. ef's the Shaft title which could go any way. Shana II is Shana, which I understand means a lot.

D.C. II is the one show that's really dissapointed me so far; the second episode failed to continue with any of the interesting "progress" from episode 1, and the characters aren't anything spectacular. But even with this show, I expect to make it to the end, if only to prove myself that there was nothing there.

With any luck though, this could be a very thrilling fall season...if you can keep your characters straight.

-CCY

An Accelerated Course in Shana, Part II - the Movie

Having read the light novel a few months ago, the manga a few days ago, and with the second season just getting underway, Shakugan no Shana fever is in full fury.

Perhaps curiosity is a better descriptor, since as much as two manga volumes and one light novel can teach you, one can imagine a gaping hole in the plotline, a huge amount of something missing, that can only be found in sinking large amounts of time and, since we are relatively moralistic around here, money into watching the entire first season of Shana.

There's no doubt that a show like this can be easily picked up upon in the first few episodes of the sequel, being what seems to be of the general type 'boy meets supernatural girl, action romance ensues', but naturally there are a few nuances that are missed here and there, some twists, character development, and in the case of the Shana series, confusing jargon.

Now turning to an hour-and-a-half movie may not be the best way to cover what I presume is a large part of the 12-hour, 24-episode series, but as the cliches go, 1) any port in a storm, and 2) watch first, ask questions later.

What follows is an impression of the Shana movie from a relative newbie to the series; it seems to reprise much of the storyline from the first light novel, so I can't claim that it's totally new content, but there certainly will be a lack of comparisons to how the anime handled the same content.


Ironically enough it feels like the movie would have been better off, as a dramatic work, watched before the light novel. Devout Shana fans might have a lot to like about all the plot twists and cliffhanger-type material that they've seen already in the first season, but to one who's just skimmed the light novel and got the gist of the story, it's hard to either be completely surprised or entertained by such content.

It's sort of that gray zone that no place wants to hit; it's not new enough to surprise me, yet it's not familiar enough to endear itself to me. As such, some of the most "dramatic" moments of the film were of the feeling that I should be shedding a tear, but just couldn't bring myself to take it seriously enough.

This may also be the fault of the second season existing, which gave birth to many wisecracks as "Yuuji / Shana can't die, they have to show up in the second season after all."

But then again, a lot of this is my own fault, and besides...who really believes that the protagonist is going to die? That wouldn't be a very pleasant ending (stop looking at me like that, Key series). But maybe, like they said in The Prestige, we want to be fooled. We want to pretend that all hope is lost, just so that when the hero makes a Shocking Comeback, we can cheer and cry happy tears.

To that meta regard the Shana movie isn't too bad, in that it at least shifts expectations from "oh my God they killed Shana" to "how are they going to make her live this time". Shana feels like the type of show that lays out its point A and point B quite blatantly, yet still has a fun time drawing the line connecting the two.

Sure you know Friange is going to get pwned, Busty Meganekko Rival is going to concede defeat, and Shana is going to go all tsundere love-love towards Yuji, but you can't tell quite exactly how it's going to happen or play out.

Unless you're actually intimate with the source material, in which case you'll probably enjoy the movie more for the execution than for the surprise, in the same way that visual novel remakes and adaptations manage to work so well.

In any case the Shana movie probably has something to offer for everyone, although it certainly seems to tilt toward the seasoned viewer more if only because of the high learning curve of the show, or should I say, it's vocabulary.

I'm never any good with keeping up with names (hint: look up 3 paragraphs) and so action shows with lots of fancy terminology and special move names always tend to be extremely confusing. As such a lot of the complexity of Shana goes over my head, but what I did catch was quite interesting.

Moving on to the actual movie, the opening part with the Torch concept wasn't one that I recalled quite well from other work and as such was a very entertaining and piece about existentialism...in a way.

Yuuji's struggle with the carelessness with which Flame Hazes snuff out 'fake' lives, as well as the actual concept of a Torch 'being' someone they're not, someone who will eventually never be remembered, was really almost touching in a way. This was especially so when combined with the slow 'death' of Yukari, the unfortunate Red Shirt who only got to endear herself to the audience for a few minutes.

Isn't it sad, Yukari.

It was a topic discussed perhaps once before in sola and it still hits hard now; one can hardly deny that they want to leave a mark on the world before they depart, especially if they have an anime blog with 100+ posts on it. It's something that I wish could be brought up more in Shana, but naturally going way deep and, one might almost say, depressing, is not something this show aims to be; rather, it's an action/romance with a touch of depth. Best of both worlds, or something.

Although again the movie, being what I imagine is an essential time-compression of a lot of the original series, loses a few of the more basic aspects that I enjoyed in the manga. A lot of the school life / love triangle parts of Shana got cut out in favor of the action and actual plot-line.

It's a sensible decision when you only have 90 minutes to cover an entire light novel, but I really wish that Kazumi had a little bit more screentime; maybe I'm a sucker for blushing, stammering, and moe in general, but Kazumi really was an adorable character from the manga that needs more attention, even if you know she's going to lose, if indeed, Yuuji does ever 'pick' someone.

Even on the less fanboyish side of things, such amusing scenes as Yukari-Shana making herself known in the class by getting one up on the gym teacher, Shana's melon pan proclamation in the store, or pretty much any light-hearted interaction at school really are something I would've liked to see a bit more of. In the end, I guess that's what the anime seasons are for.

But what the movie does, it does in a decent manner. Friange was a relatively well-developed, almost tragic villain; while he does make a couple stupid Bad Guy Moves such as letting Shana / Yuuji go early on with a promise of a later Big Battle, he does have a defined motive, a decent personality, and quite good fighting skills as well with all the varied power-ups (em, treasure tools) he has.

The battles were passable as well; it feels like the characters have a greater sense of mortality than usual. It's always been a sticky point that a lot of characters in most fighting shows can take ridiculous amounts of hits and not really show any signs of slowing, but one gets the feeling in Shana that while Flame Hazes are perhaps more durable than most humans, they don't reach hax levels of defense.

Perhaps Friange did too; usually the ones with a lot of clever attacks have low defense (perhaps symbolic of his whole character type), but of course, we didn't get a lot of time to see how well Friange stands up against attacks, because he got eradicated in quite brilliant fashion by the God of Whatever Fiery Death. That's how you kill villains, kids. Leave no mark behind.

Shakugan no Shana the Movie definitely doesn't feel like it'd be a crash course in Shanaism, with a lot of non-essential, and perhaps thus the most important, content missing the cut, but with any luck a lot of this intrapersonal and lighthearted stuff will either be inferred or shown in the second season anyway.

In a sense it's not going to get you fully up to speed with the series but it will be enough to get the proverbial engine firing if you're a complete greenhorn to the Shana series. But if you're familiar with the current English manga and visual novel releases, you might as well go straight for the anime series.

-CCY

Behind the Curve: Shakugan no Shana (Manga 1 / Novel 1)

There are many reasons to adopt a new series. Perhaps it's a widely popular one, and you're curious to see what all the fuss is about. Maybe a favorite voice actor, artist, director, writer worked on this series as well. Maybe you read the manga, or played the visual novel, or just read about the series in a press blurb or something and was intrigued. A figurative dart thrown at a wall?

Sometimes, it's like that, where you walk into a bookstore, and the first thing that catches your eye is that one thing Mikoto keeps raving about.

And so I sat down with the English release of manga and light novel for an hour.

Yeah, English light novel. Is that a first? Not too familiar with even the Japanese scene for that, but I follow the Haruhi light novels religiously and are kind of jealous that another series gets their novels translated. Oh well, there's always Baka-Tsuki!

Impressions on Shana after the jump.

Well, it probably says something that I sat down and actually read both books cover-to-cover in one sitting, but to be honest the game completionist in me likes to finish what was started.

Shakugan no Shana, nevertheless, seems like a promising genre-mixer, putting together both elements of typical romance with more than a handful of supernatural fighting action. Perhaps it's bad to compare but a similar genre-mash would be, I believe, sola. Both series seem to straddle the sexes, with the action appeasing the guys and the romance aspects appealing to the girls. Of course, Shana feels bat-over-the-head enough with the romance to possible be aimed more towards guys, and ironically that part is the stuff I find more attractive than the action. That's probably just a natural fault of a viewing history of harem-types and magical girl shows, though.

Shana, to be honest, isn't all awesome and win. Many of the aspects have that "been there before" feeling to it. For example, the (to me) obvious nature of the romance between the blatantly tsundere (for lack of a different word) Shana and Yuuji, as well as the going-to-try-hard-and-be-damn-adorable...but going to lose appearance of Kazumi, feels very cut and dry. I haven't analyzed the fights too much yet but the villains are naturally cocky in that "I'll kill you later" way, not to mention Shana's power level of OVER MEME.

But, this is only one volume into both the light novel (apparently first), and the manga, which seems to follow a lot of aspects of the light novel. Plus, my criticism of the battles shouldn't be too trusted; they are an aspect that never really fascinated me enough to analyze closely, which probably causes the romantic aspect, standing alone by itself, to fold in like a house.

Together though, the two aren't half bad, as Shana's slow progress towards discovering what this school 'aspect' is quite typical (for the usual Supernatural Standout) but still funny as always. There were some heartwarming - if not in-your-face - moments between Yuuji and Shana, and a shy girl is always fine too. There have been a few twists of course still, such as Yuuji's hidden treasure thing which I've forgotten the name of, but sounds pretty nifty in that it keeps him from dying, or regenerates him, or something, as well as Shana's God-in-the-amulet thing.

As you can tell, my comprehension of this story so far is highly advanced; another volume of two, when it's released, hopefully will clear things up. It's an interesting concept at this point, although I don't know what really the Ultimate Goal is. Shana will definitely be an anime/manga/series I'll have to keep my eye on - it won't be an Instabuy at any rate ($150 for the anime is a bit out of reach) but if any more of the manga shows up, it'll merit a read.

-CCY

(Picture borrowed from http://wakaranai.animeblogger.net, because it was the first thing on Google. Yay credit!)